Typography | Final Compilation & Reflection
24/11/2020 (Week 14)
Naim Zuki, (0346615) | Bachelor of Design (Hons) in Creative Media
Typography
Final Compilation & Reflection
INSTRUCTIONS
PROJECT 2B - TYPOGRAPHY: EXPRESSION, HIERARCHY, & COMPOSITION
EXERCISE
Fig. 1.1, Type Expression Exercise; PDF, 16/09/2020
Fig. 1.3, Text Formatting Mockup; PDF, 22/09/2020
PROJECT 1 | TEXT FORMATTING & EXPRESSION
Fig. 2.1, Project 1: Editorial Text Final PDF, 07/10/2020
PROJECT 2A | TYPE DESIGN
Fig. 3.2, Project 2A: Type Design Final Font and Final Poster, 21/10/2020
PROJECT 2B | TYPOGRAPHY: EXPRESSION, HIERARCHY, & COMPOSITION
FINAL REFLECTION
EXERCISE
Fig. 1.1, Type Expression Exercise; PDF, 16/09/2020
Fig. 1.3, Text Formatting Mockup; PDF, 22/09/2020
Fig. 1.4, Text Formatting Class Exercise; PDF, 22/09/2020
PROJECT 1 | TEXT FORMATTING & EXPRESSION
Fig. 2.1, Project 1: Editorial Text Final PDF, 07/10/2020
PROJECT 2A | TYPE DESIGN
Fig. 3.2, Project 2A: Type Design Final Font and Final Poster, 21/10/2020
PROJECT 2B | TYPOGRAPHY: EXPRESSION, HIERARCHY, & COMPOSITION
FINAL REFLECTION
Experience
It surely has been a rocky 14 weeks. Typography is by far the worst class
I've had in this semester without a doubt. I disagree with the practices
done by both lecturers and I personally think that a good amount of
improvements, from the nature of the grading system to the values that are
practised in class, can be made by the lecturers to ensure that
their future students would gain the most benefit from their time in this
module. Nevertheless, I must admit that it was through the behaviour of
these lecturers that were practised in and out of class that I find myself
continuously striving to be better. Although chasing the grade that I wanted
was a big influence on my motivation, it was also to prove a point that I
can do good without much reliance on them both for guidance, not that they
supply enough anyway. The exercises and projects themselves are indeed
interesting and definitely a challenge to get by, all the while staying true
to their progressively more challenging nature.
Observation
As I dive myself deeper into understanding what Typography is and exploring
different ways it can be interpreted, I'm astounded by the overwhelming
amount of nuances that exist throughout historic and modern typography. The
amount of consideration and care that are put into the little details are
what makes the most of a design and I find myself practising this habit into
all my other modules. But above all, the one thing that this module has
successfully given me enough emotional trauma to fully instil in all my
design is an idea. The single most important thing that brings
a composition together and making it relevant is the idea that
the designer has to successfully communicate through visual stimulant is
perhaps the one thing I've missed out most throughout my time designing
various works prior to entering this university, and I am glad to have learned
it now.
Findings
I find that at the end of the semester, although I disagree with the
lecturer's academic practise, I have made a significant advancement in my
designs. I don't know if I should take all that credit for myself after
weeks and weeks of researching different techniques, concepts and topics; bombarding my friends' and family's inbox for continuous opinions on my
work, and most importantly developing a habit of being critical with my designs. Or if I should give that credit to the two lecturers who have given
me enough distaste to excel. Nevertheless, these 14 weeks have been proved fruitful and I sincerely hope actions will be taken to this module so future
designers from this university would be decent in both practise and in
ethics.
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